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USA. VHYes is a movie starring Kerri Kenney, Thomas Lennon, and Mark Proksch. This bizarre retro comedy, shot entirely on VHS and Beta, follows 12-year-old Ralph as he accidentally records home videos and his favorite late night shows. 37 Votes. . Stars=Kerri Kenney. 2019. Movie online vhyest. Movie online vhyes imdb.

 

VHYes fre,e "hd Online HBO 2018 Online Free Watch Online Wetpaint movie 2018. Movies online hiest. Movie online vhyes kickstarter. JustWatch. Movie online vhyest moments. Honestly it felt like a black mirror episode, less intense though. Find the best for your family See what's streaming, limit strong violence or language, and find picks your kids will love with Common Sense Media Plus. Join now Uneven retro comedy has lots of sex, drug humor. Get it now Searching for streaming and purchasing options. Common Sense is a nonprofit organization. Your purchase helps us remain independent and ad-free. Get it now on Searching for streaming and purchasing options. Your purchase helps us remain independent and ad-free. X of Y A lot or a little? The parents' guide to what's in this movie. Close family ties are encouraged, as is the freedom for kids to explore their surroundings and talents. Positive Role Models & Representations Ralph's parents love him and each other. They let him use his camcorder and trust him to explore the new technology. Ralph is curious and a good friend. In the true-crime show, a character is dead, and blood is visible. Frightening haunted house sequence includes kids breaking into an old house, running away from potential ghosts, and being scared in the house. Parody of late-night soft-core movies like those that appeared on '80s cable. Characters are about to engage in sexual acts, including threesomes and oral sex, but the channel always changes before anything graphic is visible. Use of "f- k. c- k. s- t. etc. Drinking, Drugs & Smoking The wedding video shows adults drinking. The TV hosts make several jokes about cocaine and drug bags, pretending that they're other items to sell. What parents need to know Parents need to know that VHYes is a retro comedy set in 1987 about a middle-school boy who gets a video camera for Christmas and starts recording his everyday life over his parents' wedding tape. Directed by Jack Henry Robbins and shot entirely on VHS and Betamax, the movie switches between recordings of the boy's life, VCR tapes of various fictional TV shows, and snippets of the wedding video. There's lots of suggestive material, especially in the parodies of late-night soft-core porn and even in the infomercials and painting shows. For example: A female Bob Ross-style painter's work depicts what looks more like Dennis Rodman performing oral sex on the painter than a basketball move, and after-hours movies like Hot Winter  are erotic stories with low production values (no graphic nudity is shown. Characters also use strong language ( f- k. s- t. and more) make crass comments, and feature drug paraphernalia. Spoofs of true-crime dramas include murdered characters covered in blood, and a fight nearly breaks out during the wedding reception. Despite some high-profile cameos (director Jack Henry Robbins parents, Tim Robbins and Susan Sarandon, both make appearances) and occasional laughs, this indie comedy isn't likely to appeal to mainstream audiences. Stay up to date on new reviews. Get full reviews, ratings, and advice delivered weekly to your inbox. Subscribe User Reviews There aren't any reviews yet. Be the first to review this title. What's the story? VHYES opens on Christmas Day 1987, when 12-year-old Ralph (Mason McNulty) starts using his big present: a camcorder with which he's unknowingly recording over his parents' wedding video. The movie, which was shot on VHS and Betamax, plays like found footage of everything on Ralph's VHS tape: Ralph's everyday adventures with his friends, the various TV shows he records on the VCR, and the leftover snippets of the original wedding video. The fictional programs Ralph records are parodies of '80s TV: There are infomercials (starring Thomas Lennon and Courtney Pauroso as QVC-style hosts)  true-crime/police dramas, public-television antique auditing specials (with Mark Proksch as the appraiser)  and late-night offerings like a painter ( Kerri Kenney) of happy landscapes (and even happier, suggestive material. There's also edited-for-TV erotica that will make viewers of a certain age remember the term "Skinemax. public-access garage-band shows, and more. including cameos from writer-director Jack Henry Robbins' parents, Susan Sarandon and Tim Robbins. Is it any good? Occasional laughs and a quirky nostalgic sensibility make this indie comedy passably amusing, but its lack of a cohesive plot and ultrashort runtime diminish its entertainment value. Those who grew up in the '80s will appreciate the spoofing of that TV era, particularly Kenney's take on a female version of Bob Ross. that quiet-voiced painter of happy trees. which has a surprisingly risque twist. Lennon and Proksch are comedic veterans and do the best they can with the improvisational-seeming screenplay, but there's not enough here beyond the parody jokes. Ralph's story emerges in the second half of VHYes, but even his admittedly touching conversation with a haunted version of his mother isn't enough to glue together the movie's disparate collection of TV snippets, wedding details, and middle-school recordings. The fact that the film was actually shot in VHS and Beta makes for an authentic but less-than-pleasant viewing experience. Still, despite its flaws, there's just enough here that's genuinely funny to make you wonder what Robbins could do with a more feature-length movie. Talk to your kids about... Families can talk about the suggestive material and jokes in VHYes. Who do you think the movie's target audience is? Do you have to be familiar with the '80s to get the jokes? Why do you think nostalgia-themed films are popular? Talk about the nature of throwback TV shows and films in pop culture. If the '80s and '90s are popular now, what decades do you think were popular to explore during the '80s and '90s? Is anyone in the movie a role model? If so, what character strengths do they display? If not, are role models important in movies? Themes & Topics Our editors recommend Goofy '80s comedy is still funny but has dated stereotypes. Whip-smart cop comedy is too hot for kids. Legendary late-night show funny for teens and up. Edgy, goofy sketch comedy with mature themes. Cross-dressing + Canadians = classic sketch comedy laughs. Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners. See how we rate.

Movies online hiest huracain. Very cool ! You won a suscriber my good sir. This was a great movie. I was pulled in from the beginning. Please, no Hollywood remakes all about the special effects. If you like action movies that actually include a plot, a disaster that could actually occur and people you care about, this is your movie. The cast was perfect, the scenery/ location is gorgeous and is practically another character in the movie. The build up to the disaster had me on the edge of my seat, shouting at the TV and getting my poor dogs all upset. Yes, Day After Tomorrow, I'm looking at you when I think of the opposite of a good disaster movie. In DAT I was rooting for nature to wipe out humanity and let me just skip the utterly pointless remainder of the movie, at only 15 minutes in.

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This might be better than the original. Her voice gives me chills. Only thing missing is the Moog

Reminds me of a cross between Limitless, the matrix and a black mirror episode. As they say here at the beach suburbs in Australia that's the way the wave breaks. NOTE- feel free to use this as there is No Copywright. Damien- Ehhhh HORNY Me- bruh HES Olivia secretly 😂. Hugh Grant is brilliant in this film. So movie is interesting for 10 minutes only. “VHYes, ” the new comedy from director Jack Henry Robbins, co-written by Robbins and Nunzio Randazzo, is a smorgasbord of retro fun akin to films like “UHF” or “American Movie” — a time machine to the emergence of VHS and the thrill of capturing life on a handheld camera bigger than ones head. The movies world premiere took place last year at Fantastic Fest, but on January 17, it hit theaters nationwide. If theres a new release you should catch, let it be this one. In 1987, 12-year-old Ralph (Mason McNulty) receives his very own Betacam camera for Christmas. As any kid does, he starts to record everything — late-night TV, fireworks tests, lizards — all over his parents wedding tape. What results on screen is a raucous mixtape of home videos and pop culture ephemera that sparks Ralphs imagination and budding love for storytelling. My favorite movie is 1983s “A Christmas Story, ” so when this movie also introduces a kid named Ralph whos over-enthusiastic about his Christmas present, my ears perk up. I guess in this case, “Youll shoot your eye out, kid! ” has a different connotation. I make the comparison because I think “A Christmas Story” and “VHYes” share a kinship. These films are impressionistic, building a loose series of vignettes to paint nostalgic portraits of American boyhood in their respective eras (the former set in the ‘50s, the latter in the ‘80s. Their heroes are no Disney Channel constructions, but rather honest reflections of children. Ralphie and Ralph are as gentle as they are mischievous, like so many of us. However, where Ralphie grows up sitting next to the radio, Ralph has TV. His entire world is filtered through static, thoughts racing with each click of the remote. At one moment, Ralphs parents bask in the glow of a new marriage. In a flash, a punk band rages through their set in what looks like a timid hosts parents basement. The scene cuts to environmentally conscious softcore porn. Reread that if you have to. I tell no lies. The movie channel-surfs through a found-footage anthology of blink-and-you-miss-it comedy sketches. Ralphs perspective curates a steady diet of crude and surreal parodies of Bob Ross, HSN and Richard Simmons workout tapes. The whole thing feels like a preteens candy bender, hilarious for goobers and geniuses alike. Photo courtesy of Oscilloscope “VHYes” is littered with a diverse, hysterical cast. McNulty plays Ralph with equal parts silliness and tenderness, reminding me of Ellar Coltranes early years in “Boyhood. ” Kerry Kenney-Silver plays Joan to such a wonderfully discomforting degree, its a toss-up for whether Id rather share the room with her or the Hal-9000. Cameron Simmons cracked me up as the bumbling porn star, whether hes delivering wood (I swear to God, thats not a metaphor) or stumbling across three sexy Swedish aliens from space. Even Robbinss parents, Susan Sarandon and Tim Robbins, make appearances (Sarandon, in particular, has such a bizarre entrance and exit, it made me giggle. However, the films MVP is Christian Drerup, who plays Ralphs mom. She radiates such warmth, gives the movie so much of its heart. Her monologue at the end of the movie brings the whole thing home for me; it tied together so much of the films musings about experience and memory in such a naked, honest way. At times, I pull myself out of the movie to remember the immense work going into each sketch, parody and fake commercial. From over-the-top color blasts and handheld zooms to grainy three-camera setups with hazy special effects, the movie goes for broke and successfully recreates a myriad of ‘80s production designs. Avner Shiloahs editing captures Ralphs scatterbrained attention span perfectly, even down to the random frames that linger a half-second too long between cuts. Ive read comparisons of this film to a show like “Tim and Eric, ” and while I agree the two share a surreal sense of humor, Robbins controls the chaos. The transitions between segments can be non-sequiturs, but the form, the craft is always sound. I like “Tim and Eric, ” but after a while, sketches can blur into each other and melt into visual noise. Robbins approaches “VHYes” like a hip-hop producer does samples: fusing and transforming different, sometimes clashing, elements to create a mosaic. This is a movie that works best when viewed in macro, not micro. As “VHYes” progresses, it asks questions about reality, experience and our perception. By recording our experiences, do we irreparably alter the memories, and ourselves in the process? Will we grow to value life on a screen more than life on the ground? Is a growing obsession with the camera a collective defense mechanism from the problems we feel powerless to tackle? Or are we simply hopeless social misfits? Ralph has growing pains; hes developing new attitudes and questions about his parents and his creative expression. For as therapeutic as exploring new artistic mediums and passions can be, that journey can never fully satisfy, because these pleasures are ultimately finite and superficial. The camera, the screen can give us a heightened or exaggerated version of life, but it can never fully embrace it. The movies best moments are when Ralph has stepped away from the TV, alone with his thoughts. Its the balance of experience and reflection that keeps us healthy. Its the acceptance that we wont (and shouldnt) be able to capture nor bottle our most important seconds that makes living so precious. Its the knowledge that time is impossible to cling to that enriches our attempts to record it. That paradox makes our art human, and its through those imperfections, homegrown in grainy film, that “VHYes” celebrates our blissful, chaotic, reckless, childish spirit. The films currently playing nationwide — a full list of theaters can be found at. Follow Shuffle Online on  Twitter,  Instagram  and  Facebook. Love our work? Consider donating a coffee to our team on  Ko-Fi! Featured photo credit: Oscilloscope Daniel Berrios watches movies in Dallas with his wife and three meowing children. When not watching movies, hes likely writing about them or discussing them on his YouTube channel. Outside of film, he enjoys “Borderlands, ” cooking and playing a guitar that desperately needs new strings.

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